搜索"Tan" ，找到 部影视作品
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多年以后，苏珊和她的两个孩子意外地出现在她姐姐珍妮的家中。起初看起来像是苏珊在试探性地试图重新与姐姐建立关系。但随着晨光的出现，这种幻觉破灭了：苏珊消失了……内森·安布罗西奥尼的这部亲密电影，描绘了一位被迫成为母亲的女人，而她对自己的孩子几乎一无所知。他那极简主义的叙事方式，却充满了深刻的共情，让观众得以观察这个新生家庭逐渐凝聚的缓慢过程，以及他们内心的恐惧与犹豫，还有那毫无效率的国家机器的荒谬之处。这是一部法国电影，它反映了因必要性而产生的共同生活本质的脆弱性，以及当它源于爱时，它会变得多么强大。
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When mysterious creatures invade a Greek seaside port, a misfit band of musicians, tourists, bodybuilders, and grannies unite to save the city in this quirky action-comedy.
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Robert Klein is looking for his step-brother, Emanuel, whom he has met only once. Robert visits two companies that have dispatched his brother somewhere in Europe – a Japanese firm that hunts eels and a US trust that conducts illegal probing for methane-mining operations. Robert finds out that his step-brother is successful, and his work is raising doubts among his employers. He decides to follow Emanuel’s trail but is not entirely sure why is he undertaking the trip. He travels through swamp country, picking up clues about his brother's activity. He discovers that his name provokes fear in certain people, ill will in others, and even veneration in some. He then finds out that Emanuel has surrounded himself with a posse of illegal African refugees who are aiding him in his eel-hunting and geological probing.
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故事灵感来源于厨师、作家及电视节目主持人Julia Child的非凡人生，以及她具有开创性的电视节目《法兰西厨师》。通过Julia和她乐观敢闯的态度，本剧将探索美国历史上一个不断发展的时期：公共电视作为一种新的社会制度出现，女权主义和妇女运动，名人的本质，以及美国的文化发展。就核心而言，本剧刻画了一段充满爱的婚姻中，变化且复杂的作用力。
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In the spring of 1945 a train deporting hundreds of Jewish prisoners gets stranded near a small German village occupied by the Red Army. Condemned to each other and in a context of deep mistrust, desperation and revenge, an unexpected friendship emerges between Russian sniper Vera, village girl Winnie and Jewish-Dutch woman Simone
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1905 年，法国神学院学生布鲁诺-雷德尔被认定犯有谋杀儿童罪。在观察他的医生的要求下，他写了回忆录来解释自己的行为。
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在一个焦土遍地、后末日的废土世界里，人类文明濒临崩溃，生存变得极度脆弱，人与人之间的信任也变得危险致命。故事围绕一群幸存者展开，他们在废墟中挣扎求生，既要对抗恶劣的环境，也要提防心怀叵测的同类，在绝望...
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The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.
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一个能干的秘书和一个自恋的老板坠入爱河，同时揭开了一段不堪回首的往事，这让他们怀疑自己的感情是真实的还是共同创伤的结果。