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迷失列车
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In the spring of 1945 a train deporting hundreds of Jewish prisoners gets stranded near a small German village occupied by the Red Army. Condemned to each other and in a context of deep mistrust, desperation and revenge, an unexpected friendship emerges between Russian sniper Vera, village girl Winnie and Jewish-Dutch woman Simone
布鲁诺里德尔杀人犯的自白
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1905 年,法国神学院学生布鲁诺-雷德尔被认定犯有谋杀儿童罪。在观察他的医生的要求下,他写了回忆录来解释自己的行为。
最终存档点
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在一个焦土遍地、后末日的废土世界里,人类文明濒临崩溃,生存变得极度脆弱,人与人之间的信任也变得危险致命。故事围绕一群幸存者展开,他们在废墟中挣扎求生,既要对抗恶劣的环境,也要提防心怀叵测的同类,在绝望...
戈培尔与希特勒
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Art as propaganda and propaganda as art: Joseph Goebbels understood early on that film is an important weapon of ideological warfare. The images that resulted continue to shape our perception of the Nazi era today. FÜHRER UND VERFÜHRER pulls back the curtain on the inner workings of power and alternates between dramatized scenes, archival footage, and eyewitness accounts.
红色房间
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The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.